A rock concert with enraptured fans crowding the side of stage. A three-ring circus featuring acts of superhuman daring. A series of Olympic competitions accompanied by brassy fanfare. The activity inside the Park Avenue Armory might have resembled any of these settings during the final performances by Merce Cunningham Dance Company from December 29 to 31, but the occasion didn’t look like a farewell. Cunningham’s radical choreography could have been from the future. It wasn’t, of course: The material for […]![]()
